Thu, Mar 19
|Price:||$30 GA / $50 Reserved|
ALL AGES: 18+ with valid photo ID. Under 18 must be accompanied by a parent or guardian.
Reserved seating is available for $50 and guarantees a seat in the reserved section. If necessary groups will be paired together at tables. Seating is based on time of purchase and the configuration of groups.
There is a ticket limit of 4 GA OR 6 RESERVED per customer based on address, credit card, email address, or other information. Multiple accounts may not be used to exceed these ticket limits. Limits for each show may vary and are listed on the individual show purchase page.
Digital Delivery is only valid if purchased from Belly Up, Aspen. Do not purchase Digital Delivery from unauthorized sources as they may be lost, stolen or counterfeit, and if so, are VOID. Additionally, we may be unable to verify that tickets purchased from third parties are valid and in such case, you may not be permitted entrance to the show. Remember, there are no exchanges or refunds.
DIGITIAL DELIVERY OF TICKETS WILL BE ON A DELAY FOR THIS SHOW, and will be emailed to the address you provided prior to the show date, typically within a week of the show, but may be as late as the day prior. This gives us the ability to monitor for purchases which may not adhere to our ticket policies. You will receive an individual email for each ticket purchased with your ticket attached. Each ticket must be readily available on your phone or printed and brought to the event. All WILL CALL tickets will be released to the original buyer or authorized transferee only upon presentation of a valid picture ID.
Orders exceeding published limits, or any tickets purchased for resale, or the resale or attempted resale of any ticket at a price greater than face value is a violation of our ticketing policy and we may cancel a portion or all of such orders without notice. Ticketing violations may result in the prohibition of future ticket purchases. In each such case, service fees charged for the purchase of tickets may be retained by Belly Up, Aspen. We reserve the right to change the delivery method from Digital Delivery to Will Call for release on the night of the show.
Supporting acts may be changed or cancelled without notice, however such change or cancellation is not grounds for refunds.
Belly Up Presale: Wednesday, December 11 @ 2pm MT
Public Onsale: Friday, December 13 @ 10am MT
At the heart of Jamestown Revival is a friendship that spans over a decade.
Jonathan Clay and Zach Chance grew up together in the small Texas town of Magnolia. From a young age, they shared a love for music as well as the outdoors. About an hour north of Magnolia TX, there was some old family land with a dilapidated ranch house where they spent the better part of their adolescence.
At one point or another, music from Creedence Clearwater Revival and The Everly Brothers, to fellow Texans Willie Nelson, Guy Clark, and Stevie Ray Vaughan found it’s way through an old pair of speakers that sat on the back porch. The pair spent the day exploring that thousand-acre plot of land, and when the sun went down they took to the records of the songwriters and bands that inspired them. At the age of 22, they moved to Austin and began to craft a sound of their own. Deeply rooted in harmony, they merged the sounds of the South with classic American, and Western rock.
Looking for adventure, as well as a change of pace, they eventually made the decision to head west and make the move to Los Angeles, CA.
Throughout the course of the next 12 months, they wrote what will be Jamestown Revival’s first full-length album. It’s heavily autobiographical, telling the stories of their adventures, their discomforts, and their observations. In order to capture the spirit of the music, the two found a log cabin high within the Wasatch Mountains of Utah. The pair, along with their band and engineer, set out to convert it in to a temporary recording studio. With wild moose right outside the window, and aspen leaves spinning in the wind, they tracked 14 songs. Performed live, with no headphones, and entirely to tape, the process captured the moments in the room.
Now back L.A., the duo are planning to release their music and gear up for life back out on the road. These days, they’re exploring far more than just a thousand acres…
Straight shooters make a mark. They leave a lasting impression whose impact only grows over time. The picture might not always be pretty, but it remains powerful, nonetheless. Representing the missing link between sixties Laurel Canyon and desert dust bowl country right from the heart of Bakersfield, Desure traffics on his own road beset by unfiltered storytelling, evocative instrumentation, and soulful delivery.
Like candid dialogue befitting of a late-night cruise in the glow of headlights and nothing more, thebearded country-folk troubadour doesn’t censor a thing. As a result, he steadily maintains pace on an upward rise highlighted by syncs on NETFLIX’s The Ranch, sold out tours supporting Midland, and acclaim from the likes of Rolling Stone within a year since his emergence.
“To be honest, the music is a direct reflection of what I’m going through,” he affirms. “The songs are pretty literal. Everything I write comes from me. Music is therapy, straight up. I have to release it, or else I get in my head. It starts with a need to say what’s on my mind and what I’m feeling.”
Born and raised in the San Fernando Valley, he identified music’s power at a young age. A huge record player magnetically attracted Desure as he spun mom’s Rolling Stones and Beatles vinyl and dad’s Neil Young and Bob Dylan records. At the same time, he discovered hardcore and punk, attending underground shows with friends and becoming “hooked on the energy of people crowd surfing and singing along.” He picked up a guitar at twelve-years-old and learned by teaching himself Green Day. By 14, he performed regularly in high school bands. Two years later, he left his folks’ house and moved into his girlfriend’s Hollywood pad.
After “years of fucking around,” friends in Midland invited him to join them on the road as a tour manager. Relocating to Texas, he traversed the country with the boys and learned the ins and outs of the business. After opening for them last-minute at a show in Bakersfield, he hung up his management spurs and made a decision to “get serious about creating music again.”
In 2018, he unveiled his debut single “Stranded Son” and stirred up a growing buzz. In the aftermath of its release, Rolling Stone lauded him among “10 New Country Artists You Need to Know.” Between touring with Midland, the slick and swaggering send-off “Kick Rocks” followed as he continued to record the tracks that now comprise his 2019 debut EP. Blurring the lines between country, folk, indie, and rock, these six tracks formally introduce him. A clean lead and rustling acoustic guitar back his catchy confessional on the single “Los Angeles.” Rife with wailing slide guitar, a sunny spirit underscores the telling admission, “Los Angeles, you’re killing me. Lord, I can’t live on two hours sleep. With a daily dose put up my nose to the women we talk to after shows, it’s a simple reminder of what’s to come when I say I won’t—but wind up drunk.”
“It’s about me moving to Texas,” he explains. “During the time, I just needed to get the fuck out of L.A. My lifestyle was dangerous, because I was partying nonstop and not really doing shit. I didn’t have a care in the world. It’s therapeutic to tell this now. I wanted to finally do music like I was supposed to instead of just talking about it.”
On the EP, the nocturnal bliss of his cover of “Sailing Nights” by Bob Seger represents the cinematic side of his vocals with its robust piano and vivid production. Meanwhile, the stark acoustic “Stay Here A While” offers up a heartfelt ballad to his wife. “It’s a really important one,” he adds. “I just wanted to say thanks to her.”
By holding nothing back, Desure makes a mark of his own. “I hope people possibly feel inspired when they listen to me,” he leaves off. “If I can make one person feel this way, it’s beyond anything I could ever ask for. My songs are who I am. I’m giving you me.”